Alain Bellino was born in Nice in 1955. In the 80’s, he discovered the world of metal and ornamentation in his father’s workshop where he learnt gold and silver plating and bronze restoration.
After many years of practice and technical research dedicated to rehabilitating and re-composing objects, he engaged in an artistic way around 2010. The ornament that is torn from its original support then becomes the very structure of his sculptures.
Bronze ornamentations assembled by extremely precise welding are the base material.
Truth is Beauty by Marco Cochrane
One of the most eye-catching artworks at this year’s Burning Man festival was a 55-feet tall sculpture of a woman in a beautifully elegant pose. Truth is Beauty is the second of three sculptures in a series called The Bliss Project by artist Marco Cochrane. Constructed of welded steel rods and balls and covered in stainless steel mesh skin, the massive sculpture had interactive lighting effects that made it constantly change.
This awesome skull was carved from an agate geode lined with amethyst crystals. It comes from Brazil, measures 7.6 inches long (from front to back), and weighs 8.3 pounds. Its presence may attract adventuresome fedora-wearing, bullwhip-carrying professors of archaeology to your door. So, if you decide to put it on your mantle, please do the honourable thing and make sure your home is free of snakes.
[via Lost At E Minor]
"I will not accept an inferior position in the art world. Nor have my art called African because I have not correctly and properly given expression to my reality.
I have consistently fought against that kind of philosophy because it is bogus. European artists like Picasso, Braque and Vlaminck were influenced by African art. Everybody sees that and is not opposed to it. But when they see African artists who are influenced by their European training and technique, they expect that African to stick to their traditional forms even if he bends down to copying them.
I do not copy traditional art. I like what I see in the works of people like Giacometti but I do not copy them. I knew Giacometti personally in England, you know. I knew he was influenced by African sculptures. But I would not be influenced by Giacometti, because he was influenced by my ancestors.”
'80. Sichuan province, China. The foot of an 8th century buddhist statue that stands 72 metres high. Photo by Bruno Barbey.